Spanish newspaper El Mundo noticed the public reaction as a mirrored image with the "local climate of worldwide disenchantment" where by the robbers stand for the "perfect antiheroes",[seventeen] and the New Statesman discussed the exhibit's resonance with Global audiences as coming from the "social and economic tensions it depicts, http://bookmarkja.com/story8493122/the-single-best-strategy-to-use-for-money-heist-season-4